Author: Patrick A. Reed

Pop Music Comics: The Maniaks

I’ve discussed many of the ways that comics and rock and roll have intersected over the years, but there’s one particular type I’ve forgotten to mention ’til now: The blatant cash-in. The Monkees were the hottest thing around in 1967,…

Gene Colan, 1926-2011

Gene Colan passed away a few days ago. I can’t possibly do justice to this man’s life and career in the space of a few lines of type.  He was one of the finest artists ever to grace comic books. …

Harry Belafonte: “Gloria”

In 1961, Harry Belafonte returned his attentions to the strain of music that had made him a household name.  Jump Up Calypso was Belafonte’s third album of West-Indies-styled tunes (following 1956’s Calypso and 1957’s Belafonte Sings Of The Carribean), and…

Pop Music Comics: Red Rocket 7

Rock and roll often borrows from the wondrous milieu of comic books, adopting costumes, characters, names, and incidental iconography…  Album covers, lyrical content, concert posters, concert staging, and even artists’ identities themselves are filtered through four-color prisms, building the mythology…

Pop Music Comics: Saturday Morning

Pop music and comic books share many sensibilities and influences, and often cross over in unexpected and interesting ways.  Comic artists illustrate album covers, bands utilize four-color imagery in videos and live shows, musicians try their hands at writing and…

Pop Music Comics: Sonic Disruptors

Comic Books and Rock & Roll have a complex and entangled relationship, full of shared influences, common history, and thematic cross-pollination.  Both started as disposable forms delivered in small doses, became emblematic of youth culture and rebellion in the cold…